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The American masculinity model has been practiced to reflect on nature since the 19th-century as well as American masculinity has been incensed in parallel ways to nature.
In this paper, I want to argue that as the image of cowboys and nature have developed at the beginning of the 20th century so has the representation of American masculinity. I will be examining 3 canonical works of frontier literature across the 20th century starting with
1. Owen Wister, the Virginian (1902).
2. Ernest Hemingway “The Short Happy Life of Francis Macomber” (1936).
3. Annie Proulx “Brokeback Mountain” (1997).


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